Diébédo Francis Kéré: First African To Win The Prestigious Pritzker Prize

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Burkina Faso-born architect, Diébédo Francis Kéré, has become the first African to win the prestigious Pritzker Prize, which is often referred to as the Nobel Prize of architecture.

His highly esteemed work, including permanent and temporary structures, has been erected in his country of birth, but also across Africa, Europe and the United States

 Xylem, the gathering pavilion for the Tippet Rise Art Center, has been designed by Francis Kéré as a quiet, protective shelter for the visitors of the ranch.

Xylem, the gathering pavilion for the Tippet Rise Art Center, has been designed by Francis Kéré as a quiet, protective shelter for the visitors of the ranch.

Mr Kéré, 56, was elated to receive what is considered architecture’s most renowned award, telling the BBC he was “very happy, very proud. It was a huge surprise.”

But his decades-long journey to the top of his field was far from straightforward, with limited opportunities in his village.

“I grew up in a community where there was no kindergarten, but where community was your family,” he told the Pritzker Prize.

“I remember the room where my grandmother would sit and tell stories with a little light, while we would huddle close to each other and her voice inside the room enclosed us, summoning us to come closer and form a safe place. This was my first sense of architecture,” he continued.

At the age of seven, Mr Kéré found himself crammed into an extremely hot classroom with more than 100 other students.

exterior of building and sky with no clouds
Photo: Jaime Herraiz Martínez Doctors’ housing in Léo, Burkina Faso

As the first child in his community to have attended school, this experience of poor building facilities was his earliest inspiration to improve the educational lives of Burkina Faso’s children, using architecture.

Kéré’s first building was a primary school in his home village of Gando. It saw him revising and modernising – but not eschewing – traditional techniques, using local clay (because it is abundant) and, crucially, involving the entire community. Children gathered stones for the foundations. Women brought water to make bricks. “The more local materials you use,” he has said, “the better you can promote the local economy and (build) local knowledge, which also makes people proud.”

As Kéré said to CNN shortly after the news of his award:

Sometimes the western world – and how it communicates – makes things in the west (appear to) be the best. And they are perceived by others to be the best, without taking into account that local materials can be the solution to the climate crisis and can be our best alternative in terms of socio-economic (development).. Xylem, the gathering pavilion for the Tippet Rise Art Center, has been designed by Francis Kéré as a quiet, protective shelter for the visitors of the ranch. Xylem, the gathering pavilion for the Tippet Rise Art Center, has been designed by Francis Kéré as a quiet, protective shelter for the visitors of the ranch.

The success of the primary school earned Mr Kéré the Aga Khan Award in 2004, which is awarded every three years to identify building projects that address the needs of societies with a large Muslim population.

The renown of the Gando school later paved the way for him to design more educational establishments, like Lycée Schorge, also in Burkina Faso.

According to him in a interview with BBC Afrique,  “Architecture is an instrument we can use to create better cities, to create space to inspire people, to create classrooms which inspire the best generation,”

An interior shot of a clay brick building with circular holes in the ceiling, through which light filters down onto the floor.
For the library in the Gando primary school, Kéré created round apertures in the roof to ensure light and air circulation. GandoIT | Wikimedia

One of the distinguishing markers of Mr Kéré’s work is his use of light, which Pritzker Prize facilitators noted in their announcement: “A poetic expression of light is consistent throughout Kéré’s works. Rays of sun filter into buildings, courtyards and intermediary spaces, overcoming harsh midday conditions to offer places of serenity or gathering.”

Mr Kéré’s signature use of light is also evident in his design of healthcare facilities, such as the Centre for Health and Social Welfare in Burkina Faso’s Opera Village, which is still under construction, according to the architect’s own website.

Beyond his designs in Burkina Faso, the award-winning architect has also designed permanent and temporary structures across Europe and the United States, such as London’s 2017 Serpentine Pavilion.

Each year, the Serpentine Gallery invites an international architect to build their first-ever London edifice on its grounds.

His inspiration for the design was the trees in his home village of Gando, with structures that sought to connect the visitors with the surrounding nature, according to the Serpentine website.

Diébédo Francis Kéré

Mr Kéré has also done designs for the famous Coachella Valley Music and Arts Festival, which runs each year in California and attracts celebrityes and big names in the entertainment industry with Billie Eilish, Swedish House Mafia and Kanye West among those set to perform this year.

Mr Kéré’s design for the 2019 festival was named Sarbalé Ke, which means House of Celebration. His inspiration for the structure was the Baobab tree, which has a hollow interior bark.

Mr Kéré’s ongoing architectural works include parliament buildings in both Burkina Faso and Benin. Although unfinished, the designs once again demonstrate his signature use of light.

 

 

From BBC and the Conversation

 

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